Levi Strauss
Claude Levi Strauss built upon philosopher Aristotle statement that all drama is conflict with his theory of binary opposition. Strauss said that all stories are accelerated forward by conflict which is caused by opposing characters or events.
opposites within a story line are extremely important in a good story, as drawing two different words or characters together inspires conflict and interesting narrative.
therefore the presence of binary opposition in films is an important one, as the differences within the world of the story collide and create a disturbance for which a solution must be found. it also helps to create and distinguish between character roles, for there cannot be a hero without a villain.
Roland Barthes
he believes that there are codes within films which will make the audience more interested and will want to watch more. the enigma code generates what the viewer is aware of within the narrative which will keep them focussed in the film. It will involve puzzles and problems which be solved as well as mysteries must be uncovered
there is also something called
the action code which is an event that the audience are straight away aware off. as well as this resolution may be achieved through action also.
Tsvetan Todorov
presents us with his theory, which is based on his study of folk tales, that implies all mainstream films follows a similar narrative structure to each other. it consists of five stages.
Vladimir prop
also proposes a narrative structure which is similar to Todorovs, but slightly more detailed and complex preparation- introduction to the story.
Complication- keys or clues to the direction to the story
transference- the donor events
struggle-dealing with the complications
return-back home however there are still issues remaining
recognition-loose ends are tied up
This links to Propps character theory which identifies more character roles than the previously obvious protagonist and antagonist. He states the importance of spheres of action for each character as opposed to rigid characters type, wich one having the ability to assume more than one role. Propp identifies seven main roles
The villain
The donor-prepares the hero or gives them an objective
The helper-helps the hero throughout the quest
The princess-object of the heros desire, sought for during the narrative
The princess father-rewards the hero
The dispatcher-character to send the hero off
The hero (victim/seeker)- reacts to the donor, weds the princess completes the quest
The false hero, usuper or anti-hero